be as one is back with an ep from the imprint owner shlomi aber (ovum). side a is home to >diosa< which is a freaky minimalish track with a hypnotic techno groove and a quirky enrollment. a peak time monster with no compromises in terms of quality as we are all used with anything coming out from shlomis studio. a real hit in the making. on the b side sits >sekur<. take one of shlomis infamous rolling and yet bouncy grooves and mix it together with the right uplifting and funky synth sound, make everything fit together as a master can and the result will be an assured asshaking on every dancefloor!

one of ibizas top summer of 2007 songs, revered dennis ferrers >touched the sky< is served up three different ways here. managing to make its gospel house chorus sound almost scary yet distinctly house, joe claussells remixes defiantly add something new to this song. multi-layered and complex, the song rewards listeners with finding something new about the track every time its spun on the dance floor. and the deep, diva style vocals from mia tuttavilla are warped in >joes dub beats< into static-y notes that fit perfectly inside the hidden pockets of this remix. this is perfect music for after-hours. and in the same vein, >yass dubstrumental< adds another layer of something fresh andstraight out of left field on this massive hit from ferrer

imagination of the shape draws a new skyline while not abandoning the roots of the city. the tracks this time obviously point towards the future of course a bright one! the mixture of established artists and newcomers declares that plastic city has many great names and artists inside the city limits and nevertheless searches for new flavours, techniques, sounds and people but this time something is really different. all artists mentioned on the double 12inch compilation come up with neverseen creations which all have a new flavour and perfectly fit together. imagination of the shape sounds like science fiction house music something you never heard before. high quality tech house touches new spheres and instantly grabs the listeners attention. approved artists as terry lee brown junior, the timewriter, greg parker, rob pearson, colin dale or eddie richards prepared a row of pleasant surprises as they left the old centre of their city. slightly more minimal but still housy and groovy the tracks are connected to each other as it has always been greatly compiled at plastic city. theres much consideration behind the artists works as well as behind this chapter. imagine the shape imagine the future

after two highly acclaimed 12s and the warmly received >en.vi.sion< album on delsin, music man is proud to present its first quince release. >the summit< is a real dancefloor bomb that will work well in your peaktime techno work-out, where as >sofar< will fit perfectly any deep warm-up set. support comes from ken ishii, dave clarke, len faki, vince watson and bart skills

with the sacode a poeira ep, berlins schoenrock debuts with a heavy load of funk.the ep kicks off with sacode a poeira, a tropical burner featuring the mighty brazilian mc edu k on vocals. yes, its the man who brought tracks like popozuda rock n roll and sex o matic to the world. with his lyrical contribution for sacode a poeira the booty expert shows that his vocal skills not only fit to brazilian baile funk beats. the forward pushing rhymes of edu k madly fire up sacode a poeira (shake the dust off), added up by a bouncing soca rhythm, live sounding drumming and the thumb twisting bass work of schoenrock himself the track is a full on dancefloor smasher. the instrumental version of sacode a poeira on a2 shows the tracks strength without the mcs vocals.the flipside of the single starts with the boogieesque queen of sheeba, which continues the tropical vibe established with sacode a poeira

a perfect ny disco affair from the elitechnique guys. nice late 70s percussion driven disco track played with real instruments. comes with a re-mix / edit of major swellings (aka prins thomas) who turned the track into a more club orientated affair with a slower pace and some added percussion to make it fit every summer party

this is the first ep on flash recordings that doesnt feature label owners florian meindl and oliver koletzki. but they have made sure to look for a quality replacement. no one else than cologne-based artist daso - renowned for his previous releases on labels like mbf, session deluxe, ghostly and connaisseur - teams up with his buddy pawas to create their first release >night express< on flash. pawas has just had his first record out on adam krolls and markus müllers imprint squonk records and has been a dj for 9 years, moving from india to cologne one year ago. on the a-side daso & pawas foreshadow the summer with the track >tgv<: a beautifully deep melody that swings along a powerful loop. >ice< - the name of germanys high-speed train is clearly more electro-driven. a slightly broken beat with a thumping organic bassline pumps above an ever-changing soundscape that culminates in some euphoric high-pitched synths. never too much, this is a perfect example for elegant understatement. also on the flip side is the track >bummelzug<, which translates as >very slow train< in german. this is a dub-techno masterpiece. deep dubs and arpeggios flow over the simple beats with a great clappy snare drum. dreamy, hypnotic, melodic! flash recordings has just become fit for the summer

tanner ross and kilowatts come to us from boston, mass. their jam, kruger fingers sounds like matthew dear met miss honey dijon at a halloween party. rolling funky bass lines with a wicked popping techno synth make this something that can fit into a minimal or tech house set. a seriously hot piece of music.

played by deep dish, milk & sugar, eric decks… his first own single is about to be released on milk & sugar recordings. saxophobic satisfaction is a catchy sax-track with unmistakable balearic flair that will fit perfectly to the pending summer. flavoured with the sexy vocals of halfindian kyra this strong remix package including mixes by christian hornbostel (soulfuric, us), stereo mutants (defected, uk) and doc phatt (houseworks, ch) seems pretty much promising. >satisfaction< guaranteed!

first outing for tejada and maxwell since 2005’s largely successful >100% post-consumer< track. the duo best known for 2004’s >mind bend< single strikes again with a 4 tracker of stripped down ultra phat analog tracks. in a time when much of techno is losing it’s focus and being replaced by soft bubbly, busy, trance like mutations, the guys saw it fit to return to a more honest approach with their beats.

and so we have, >irst_te?< the word is bay area fillmore slang for >thirsty?< worthy saw it painted on a fence somewhere and made a track about it. this could be a breakout year for worthy who has already had multiple plays on radio one of his >whistler< remix and >that funkin noise< from his digital label, katabatic. >irst_te?< is bouncy and fun and it sounds kind of like it was inspired by the band in the original star wars with the alien clarinet players and the blue elephant on keys. claude vonstroke takes it darker and more techno, with an epic sounding build that could fit into almost any set

the 20th release on frankie records comes with original stuffs from frankie on the 1st record and eclectic hot remixes from mike shannon (cynosure, wagon repair), paco osuna (plus 8, mindshake), massi dl (frankie, leftroom, safari) and frankie himself.

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

wow. another great piece of great techno by one of the brightest talents from germany! this is so nice... this would fit perfectly on a label like planet e or transmat. must have for all fans of carl craig, b12, evolution, early speedy j works and of course derrick may. also check out arne weinberg s path of the gods album forthcoming on aw records (aw006lp) released in januar!

broadcasting timeless, route one techno from the heart of berlin since 1996, cabinet records has come to epitomise the rough underground sound of a city like few others. now, with this excellent compilation package, plus 8 has seen fit to set this essential contribution to electronic dance music in stone. indeed, over the last decade the relationship between the labels has come full circle, making the release of this retrospective package all the more timely

next cadenza killer ep !! the four cuts on this doublepack are monsters all, between eight and 13 minutes apiece. coming hot on the heels of similarly sprawling releases from ricardo villalobos and luciano & thomas melchior, they confirm cadenza s commitment to stretching electronic dance music s form to fit a more expansive frame. these are anthems, but they re anthems of a different sort. while too many hits beat their riffs like dead horses and treat their listeners little better, loco dice turns their attentions to gauzier, wispier elements: ghost melodies, feathery percussion, iridescent timbres that flash once and are gone

broadcasting timeless, route one techno from the heart of berlin since 1996, cabinet records has come to epitomise the rough underground sound of a city like few others. now, with this excellent compilation package, plus 8 has seen fit to set this essential contribution to electronic dance music in stone. indeed, over the last decade the relationship between the labels has come full circle, making the release of this retrospective package all the more timely. reissue of previously released tracks from berlin s cabinet records on 2x12inch vinyl

cool four track ep that shoult fit perfectly in every modern techhouse electrohouse set

this anthem with a melancholic atmosphere we just known from guys like luciano and rebeccas words, telling some secret about post spices husband, fit perfectly into a miniaml grooving & mystic sound.. incl gui boratto rmx... already played by dj t, matthias schaffhäuser, jesse rose, laurent garnier, damian lazarus

nice price deal !!! yet another peak time electrohouse banger with reference to that good ole chicago pastime of jacking some big diva vocals deeply dubbed out riding over a rubbery buzzing bass and throbbing drums that make this a perfect fit in set for fans of robbie rivera, hatiras, or the rooster and sammy

2 tracks perfectly produced for the club.. marko takes us on a dark stroll thru the techhouse beats of mtl one with well programmed beats and minmial textures in fine style. while mtl one would fit perfectly for the berlin afterhour, the b-side space after space could be the theme tune for a new york gay-disco in 1986 - or in 2031 for that matter. spaced out disco for the afterworld we call it, its deep but rocks the floor like a maniac..

avida perfectly fit in with a kind of underground music that was getting all the rage in italy in those days: nonsense music (musica demenziale). the structures were intentionally primitive, often made on cheap electronics. maurizio damis vocals , inspired on early 60s italian singers (to carry on and close the typical 20 years cycle of revivals), such as edoardo vianello, had an appealing mix of trash and humour. avida was essen tially a live band. their performances were a mix of theatre and music, where visuals played a major role. anyway, today some of that music still sounds interesting and not only due to its lyric. in our opinion about the best music alexander robotnik ever made

so this is some next shit! herve, dubsided s latest signing, is a hot new producer from west london. this debut release is just a taste of his funked-up jackin style - a perfect fit for the dubsided sound. a1 what you need the most: flitting from drum and bass-style drops, catchy vocal chops and the all-important pounding groove, all glued-together with a oizo-like attitude. b1 im mo try: the first collaboration between herve and dave taylor under his switch guise. its all about the bassline, taking herve s quirky mood and switchs trademark rumble, resulting in a solid club track. b2 lala land: vintage daft punk-sounding, funky as fuck with some deft eq ing. sounds absolutely stunning on vinyl and is perfect for people that like to drop the tempo in their sets but maintain the energy

20 new exclusive and forthcoming tracks on this limited edition 3x lp includes artist bios and an original cartoon by michael segal !!!

a1 küppers - city (wonder which city is meant) is a merciless stomper towards the dancefloor - raver an minimalistis well be happy likewise…-…up on nearly 5 rhytmical levels ananda works up everybody…b 1 kopfsalat …is modern, dubbing mini techno at is best. no one is fit to hold a candle to ananda in this segment. 8 minutes go four tension and relaxation and makes fly! megabasses -melodies -wat ever you want! b 2 ur nüchtern ist auch nicht immer gut technoid? appel to celebrating with intelligence grouving > wie sau?!< like the devil entertaining and inspiring

minimal design swalishirt (ähnelt dem dessous rec design) slim fit form

from the krypt of cult hero alexander robotnick comes the follow up to the rare robotnickscd that was released on his own label a few years back. krypta 1982is an amazing full length album, that contains 18 never before released tracks from 1981-1982. it shows the amazing range of robotnicks skills, from deep disco tracks that sound like they could have been released yesterday, to romantic vocal problemes d amour-like 303 pop songs, strange 808 exotica, minimal analogue dancefloor tracks and haunting experimental soundscapes that would perfectly fit on a bbc radiophonic workshop record

coming stateside with this very freakish/dlc-styled track, a perfect pairing for select imprint. the original i dont laa features a rubbery euro/german bassline with some diz-like vocals and cut-up clicky electronic drums - sleazy, greasy stuff thatll appeal to a nice range of electro-house djs. remixes come fromthe midas alums honest cars who turn in a gritty, rock-flavored electro-pop that could fit nicely in with the angrosso/prydz fans, and freak-meister himself luke solomon who completely flips the vocal over a buzzing and burbling acid backing track. mental gear for only the most twisted dancefloor sessions here

hottest dessous rec girlshirts: american apparel baby rib cap sleeve. high quality shirt from aaæs young womenæs line. because the fabrics are stretchy, especially this baby rib, which has a stretch factor of over 100%, each size can fit a wide range of women. the medium/one size (m/os) fits approximately 80% of women.

hot hot hot!! very funkin & discoid filtered disco house ... fit for ibiza 2005 !! supported by brian tappert (aka jazz n groove / soulfuric)...incl fresh ian carey mixes

excellent uplifting disco house , fit for ibiza , incl mixes by atfc & full intention, coburn, bn3... bringing back the philly disco spirit // uk promo edition (2x12inch)

excellent uplifting disco house , fit for ibiza 2005, incl mixes by king unique & sharp boys

mr. hawkins goes rave... ultra-stomping & banging hawkins-techno w/squirky sounds...fit for any dancefloors

full soundtrack from the the video game Òdemon turfÓ on double cd.

a showcase of current electronic artists, influenced by 70s and 80s cold wave.

for jayda g, joy is a state of mind. whether she transmits it through her upbeat productions or magnetic energy at the decks, the canadian-born dj and producer, real name jayda guy, is a beacon of empathy on the dancefloor. mixed cd

the 68th edition of the dj-kicks mix series is another landmark one, with experimental producer laurel halo taking the reins. the americanÕs adventurous 28 track trip features seven exclusives, including two of her own plus those from rrose, machinewoman, fit siegel, nick leo&#769,,,,,n and ikonika.

limited to 750 copies cd, where 2 original concept albums are fit together available in an all-in-one digipack cd.liner notes (french & english), sticker. bernard parmegianis never-released before soundtracks for two films by pierre kast, including the ultra cult les soleils de liles de paques and award-winning short la bržlure de mille soleils (edited by chris marker).

steiger are a piano trio trying to find a balance between composition and improvisation through the use of experimentation and electronics. the trios highly anticipated sophomore album give space was recorded at 7 different locations, with the music composed to fit and fight these locations within a dialogue of acoustics, atmospheres and appetition.

this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.

it seems somehow surprising that its only now that james zabiela enters the fold of balances compilation selectors. a perfect fit for the series, his unfeasibly intricate approach to djing shinesthrough on this sprawling two-parter, created through a back-and-forth process between his pioneer ddj-rz and ableton and featuring two exclusive new productions from the man himself.

this compilation spanning a period of 37 years features burnt friedmanÕs releases and edits thereof from vinyl-only labels (latency (fr), marionette (ca), dekmantel (nl) amongst others) plus 4 hitherto unreleased tracks, making them available on digital formats. friedmanÕs music from 1980 to 2017 covers a broad spectrum of played and programmed rhythmic styles that traverse not only club music from techno, electro and dub, but, above all, trace friedmanÕs own artistic development. a trajectory that owes a lot to his long-standing collaboration with can drummer jaki liebezeit, who died at the age of 79 in 2017. like liebezeit, friedman already explored even and uneven rhythms back in the late 1980s. this selection of 17 tracks documents this pursuit while bringing rough or discarded tracks to light, which did not fit onto any album or were intended for the nonplace label. the compilation runs the entire gamut of his work on percussion, keyboard, samplers and toys of all kinds using various production methods (tape, atari, midi, sampler, hard disk recording, digital audio tape). studio work (instant-composition, programming and recording) underwent major technological changes and revolutions in the 1980s and 1990s, but friedmanÕs distinctive signature style prevails throughout. surprisingly danceable tracks, interrupted by alien atmospheric periods, defy any genre.

children are laughing and playing in the back, a baby screams happily: handsome field recordings welcome the listener to the final chapter of fred pÕs fp-oner trilogy for mule musiq. the opening tune is called smiles, so children s laughter fit the mode. the idea is that smiles and cries are natural for children and as they grow to adulthood the reality becomes more, therefore the duality of life itself is obvious in the mood of the song. the new york city native that is working on his very own music for almost 20 years explains about the beginning of his new album that features eleven tunes for deep meditative club use and beyond. it brings the listener house music full of cosmic realities, odd jazzing moments, japanese spoken word pop, synth spheres for ambient use and an overall outer-national atmosphere, that handsomely dances between roughness and subtle tuned in deepness.

special edition 2 cd digipack , includes debut album: * on acid* on cd2 for the first time ever on cd!
when recondite, aka lorenz brunner, emerged with his debut lp for acid test (2012s on acid), we were still learning about the german producers inward-looking dance floor sound. a few years later, his sinewy jams have proved near universal -- like an underground zelig, hes fit perfectly everywhere from r¿dhŒds dystopian to ghostly international and innervisions. acid test also allows recondite the chance to indulge his more outrŽ tendencies and a welcomed return it is.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

stil vor talent entfŸhrt dich auf eine tour druch berlin mit einer neuen compilation-reihe. wir fangen die essenz und den geist der deutschen hauptstadt ein - durch die musik, die wir lieben, spielen und zu der wir tanzen. die reise beginnt am u-bahnhof schlesisches tor im herzen von kreuzberg: hier pulsiert das leben, direkt an der spree, nur einen steinwurf von der berŸchtigten club-szene der stadt und unserem eigenen headquarter entfernt. ausgewŠhlt von oliver koletzki, mit artwort von chrisse kunst. auf gehts!

niko schwind now presents the fruit of his labour in the from of his third album: grippin world captivates the listeners with its versatility and coherence, and kidnaps them to a world of sound, made up of elegantly reduced grooves, organic arrangements and accessible vocal-melodies.

schneeweiss iii: a collaboration of neighbours. over the years, oliver koletzki has continuously cited berlin as a point of reference and, more importantly, a source of inspiration. two of his albums - gro§stadtmaerchen and gro§stadtmaerchen 2 - have been a direct ode to the capital. friedrichshain, one of berlins vibrant districts, has always held a special place in olivers heat. this is where he started out when he first moved to the city, and this is where he lives now.

fxhe going for the professional look on this killer mix cd celebrating a decade of operations. stone-cold classics like oasis13 and the omar s remix of gunnar wendals 578 rub up against recent hits such as o.b ignitts oh jabba, sex and wayne county hill cops pt.2. vital!